Etharkkum Thunindhavan' movie full hd download Hindi dubbed Suriya's well-intentioned family film is jaded by Movies Studio




       Etharkkum 

     Thunindhavan

Etharkkum Thunindhavan, also known under the initialism ET, is a 2022 Indian Tamil-language action thriller film written and directed by Pandiraj and produced by Sun Pictures. The film stars Suriya, Priyanka Arul Mohan, and Vinay Rai. Wikipedia
Release date: 10 March 2022 (India)
Director: Pandiraj
Music by: D. Imman
Budget: ₹75 crore
Box office: ₹110 crore (7 days)

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Etharkkum Thunindhavan' movie review: Suriya's well-intentioned family film is jaded


The Suriya-Pandiraj film is a random assortment of song, dance, sentiment and serious issues
You might have heard of many unique gifts that a man gives a woman that he likes the first time they meet. But check out this one in Etharkkum Thunindhavan ( ET), Suriya's latest film in the theatres. Kannabiran (Suriya) likes a girl (Aadhini, played by Priyanka Mohan), and in their initial meetings, gives her a 'gift': he downloads the Kavalan SOS app on her phone (Tamil Nadu Police Department's initiative for emergency situations).

He tells her and her friend. "This is more important that the other apps like Instagram and TikTok."

There, in that one dialogue, Suriya underlines what he intends to do with ET. The intention is honourable, no doubt, but the film is a random assortment of song, dance, sentiment and serious issues - all packed in a 150-minute-plus run-time.



 

Suriya plays Kannabiran, a lawyer yet again here, after his previous acclaimed OTT release Jai Bhim. But this isn't a courtoom drama, so his time in court is quite limited. Instead, Kannabiran prefers spending time at home, trying 'cutesy' moments with his parents, and attending the many thiruvizhas in town. The milieu, which director Pandiraj gets right in most of his films, is also refreshing here: the protagonist hails from Thennaadu, a place that celebrates women. Trouble starts when a girl calls Kannabiran to meet him urgently, but passes away minutes later. What happened to her? Who are the people behind her death?








And so, from a very mundane first half that goes nowhere, we get into the women's empowerment zone. Dialogues that would have found their way into any Samuthirakani film sneak in here. On paper, they're noble. On the big screen, they just don't connect. Which is rather surprising considering that director Pandiraj's previous offering, Namma Veetu Pillai, managed to pack in many commercial elements into a single film.




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